Continuing my not-edtech related end of year roundup, as well as trying to read a book a week, I tried to see a new film weekly. This was largely successful, but they weren’t all cinema trips so the film may have been delayed somewhat from release, and I didn’t get around to seeing lots of films I should have (eg Nocturnal Animals).
In general terms, like most years but even more so, this was a crap sandwich, with good stuff at the start and end, but a real mess in the middle. Even the blockbusters were exceptionally awful. Batman vs Superman, Independence Day 2, Suicide Squad – these were like Donald Trump’s toilet, flashy, expensive and full of shit. But if comic book movies continued to be devoid of any value, there were some other genres that fared quite well: horror saw some atmospheric, taut, films with secondary interpretations (The VVitch, Blackcoat’s Daughter, Don’t Breathe, Green Room). Animation began to emerge from Pixar domination, and quirky, whimsical indie movies provided blessed relief (Captain Fantastic, Hunt for the Wilderpeople, Sing Street).
Because I’m not adverse to an end of year list, here’s my top ten:
You’ll probably have seen most of these, but the Blackcoat’s Daughter (aka February) may have passed you by. I loved it – moody, brooding horror with an amazing score, it deserves to be better known. A special mention for turkey of the year, the truly, truly, awful Zoolander 2.
Increasingly I found it difficult to watch films in isolation of the context of the rest of 2016. I couldn’t get behind the “the best of New York came together” message of Sully in a year of Trump and Black Lives Matter. I couldn’t pretend Eddie the Eagle represented a version of Britain I could identify with after Brexit. And I couldn’t watch Son of Saul and flatter myself that it could never happen now. Even Rogue One had some people rooting for the Empire. I get the feeling this will be a recurrent theme in 2017.